Here you can see how the fashion and what the women looked like in the 1950s. Just by looking that these images you can see that women were perceived as the typical house wife and stay at home mum. At this time Marilyn Monroe was the the only lady that was seen with little clothing and a very different fashion to Grace Kelly. The hair and clothes are very procaine and they almost look the same and very normal.
Stereotypically you see women in the 1950's with an apron and this was seen as the normal vision for women at this time. When I have looked at Vogue magazine, I have noticed that a lot of the adverts show the something to do with house hold things such as cleaning, cooking or taking care of their children. However this seems so different to now as you see many adverts that advertise make up or other luxury's.
House of Dior
"It's quite a revolution, dear Christian Dior! Your dresses have such a new look"The new look which included longer lengths, silhouettes, small waist and a perked up bust help create the new look, which became a big hit practically over night. Dior wanted to give women back their taste along with their seductive side which changed the fashion overall. He hand crafted many of his designs:
"I wanted my dresses to be 'constructed', moulded on the curves of the female body whose contours they would stylise. I accentuated the waist, the volume of the hips, I emphasised the bust. In order to give my models more hold, I had nearly all the fabrics lined with percale or taffeta, renewing a tradition that had long been abandoned."
Here is 'The bar suit' this look made is collection as its coat flaunted the waist and the bust along with the famous flared out skirt that was seen throughout the rest of the 1940s/1950's. The hat and gloves finished off the look with elegance that made the women's appearance look luxurious. The way that the outfit looks on the model is simple but flaunts enough skin and sex appeal to onlookers, this is what Dior wanted when he wanted to bring out the inner seductive side out.
This look even now has been reinvented with pencil skirts and tailored straight trousers, it has been an interesting design to the fashion world.
Chanel
http://www.chanel.com/en_GB/
http://inside.chanel.com/en/timeline/1960_the-1960s
In 1954 Chanel stages the re-opening of her couture house which she inspires a second fashion revolution with her original creations.
Other signature pieces:
- 1955: The 2.55 bag, that is a quilited leather handbag with a gold chain that is light and strong
- 1956: The collarless jacket suit that was seen to be worn by Ingrid Berghen in the Robert Anderson's play Tea and sympathy in Paris
- 1957: Braid trim that appears on jackets and cardigans and the two toned shoes that are slingback that shortens the foot and lengthens the leg
"Enabling women to move with ease, to not feel like they're in costume. Not changing attitude or manner depending on their dress. It's very difficult and the human body is always moving." Gabrielle Chanel talking about the Chanel jacket.
- 1959: Jeanne Moreau wears Chanel suits- tweed, black with camellia accent in Roger Vadims Les Liaisons Dangereuses
You can see how over time Chanel has influenced the fashion world with the bold trim on the jackets and new materials such as tweed is used that makes the fashion more excitable to women.
1950's Vogue fonts
The fonts or font used in the 1950s Vogue's are very much the same throughout. It's very plain simple typography almost like new times roman or something like this. The layout for the Vogue writing is spaced like a normal formal text almost like a newspaper, it's very much structured and not a lot of freedom is seen with the type and fonts.
When you read parts it's very much about situations the typical 1950s women would be doing such as being a housewife and mother.
The only experimental fonts you see is through the adverts for make up or cigarettes, where it's very fun font that suits the branding. The comparisons is very different as it's as if Vogue is struck in a structure and fun isn't really seen through the magazine.



























